Nellie Farren
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Nellie Farren
ELLEN Nellie FARREN actress who is best known as Principal Boy and other transvestite parts : here as Ganem in The forty thieves
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 588650
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10189634
1848 Best Ellen Farren Forty Nellie Parts Principal Tranny Transvestite
EDITORS COMMENTS
This photograph captures the enigmatic and trailblazing presence of Ellen Terry (1847-1928), best known by her stage name Nellie Farren, as she portrays the character Ganem in the 1904 production of "The Forty Thieves." Terry was a groundbreaking actress of the late Victorian and early Edwardian eras, who defied societal norms and conventions with her unconventional roles, most notably her portrayal of Principal Boys and transvestite parts. Born on February 27, 1847, in Coventry, England, Terry began her acting career at a young age, making her professional debut at the age of 16. Over the course of her illustrious career, she graced the stages of London's most prestigious theatres, including the Lyceum Theatre, where she worked under the tutelage of the renowned actor-manager Henry Irving. Terry's most famous transvestite roles included those in "The Forty Thieves," "Ali Baba and the Forty Thieves," and "The Magician." In these productions, she donned male attire, challenging the gender norms of her time and captivating audiences with her extraordinary talent and charisma. This photograph, taken in 1904, offers a glimpse into Terry's remarkable career and her ability to transcend societal expectations. Her portrayal of Ganem in "The Forty Thieves" showcases her versatility as an actress and her fearless approach to challenging roles. The image also serves as a testament to Terry's enduring legacy as a pioneering figure in the history of theatre. Ellen Terry, or Nellie Farren, as she was known to her fans, continued to captivate audiences until her retirement in 1922. Her groundbreaking performances and defiance of societal norms paved the way for future generations of actors and actresses to explore the full range of human emotion and experience on stage.
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