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The Mephistopheles Galop by John Fitzgerald
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The Mephistopheles Galop by John Fitzgerald
Promotional music sheet for The Mephistopheles Galop by John Fitzgerald, as performed in the burlesque Very Little Faust and More Mephistopheles by Francis Burnand, which was first produced at the Charing Cross Theatre, 18 August 1869. A main attraction of burlesque was the cross-dressing and the chance to see female legs, as shown here in the image illustrated by Alfred Concanen Date: 1869
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Media ID 23100880
© The Michael Diamond Collection / Mary Evans Picture Library
1869 Concanen Dec18 Devil Enjoyment Fitzgerald Galop Maiden Marketing Mephistopheles Promotional Publicity Sheet Song Musical
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EDITORS COMMENTS
This promotional music sheet for The Mephistopheles Galop by John Fitzgerald showcases an intriguing image from the burlesque production, "Very Little Faust and More Mephistopheles," which premiered at the Charing Cross Theatre on August 18, 1869. The main attraction of burlesque during the Victorian era was the subversive element of cross-dressing and the tantalizing display of female legs, as illustrated in this artwork by Alfred Concanen. The image depicts the devilish character Mephistopheles, played by a male performer in drag, leading a maiden in a lively galop dance. The galop was a popular dance craze during the 1860s, and this musical number added to the leisurely enjoyment and entertainment value of the show. The sheet music, adorned with intricate detail and vibrant colors, served as a promotional tool to entice audiences to attend the production. The image of Mephistopheles, with his mischievous grin and seductive charm, would have certainly piqued the curiosity of potential theatergoers. The 1860s were a time of innovation and excitement in the world of entertainment, and burlesque shows, with their irreverent take on classic stories and daring performances, were a major draw for those seeking an evening of amusement and merriment. This music sheet is a fascinating glimpse into the marketing and advertising strategies of the time, and a reminder of the enduring appeal of live performance and the power of music and art to captivate and delight.
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