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Donatello (1386-1466). Reliefs for the bronze pulpits in the
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Donatello (1386-1466). Reliefs for the bronze pulpits in the
Donatello (1386-1466). Renaissance italian sculptor. Reliefs for the bronze pulpits in the church of San Lorenzo, with help from students Bartolomeo Bellano and Bertoldo di Giovanni. The Pulpit of the Passion: left, The flagellation. Center, St. John the Evangelist. Right, The prayer in the Garden. (1463-66). Florence. Italy
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Media ID 14327036
© Thaliastock / Mary Evans
Bardi Bas Relief Basilica Betto Bronze Christ Donatello Donato Evangelist Flagellation Florence Giovanni Jesus Lorenzo Niccolo Panels Passion Pulpit Reliefs Renaissance Sculptor 1386 1466 14th 15th Pulpits
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This print showcases three exquisite bas-relief panels created by the renowned Florentine sculptor Donatello (1386-1466) for the bronze pulpits in the Church of San Lorenzo. Donatello, born Niccolò di Betto Bardi, was a pioneering figure of the Early Renaissance in Europe. He collaborated on this project with his students Bartolomeo Bellano and Bertoldo di Giovanni. The central panel, titled "St. John the Evangelist," depicts the venerated disciple in contemplative repose, his serene expression conveying a deep spiritual connection. The left panel, "The Flagellation," portrays a poignant scene of Jesus being scourged before his crucifixion. The right panel, "The Prayer in the Garden," illustrates Jesus in agonizing prayer as he contemplates the impending suffering of the Passion. These masterful reliefs, created between 1463 and 1466, represent a significant milestone in the development of the Renaissance style. Their intricate details, lifelike figures, and profound emotional depth have captivated art lovers for centuries. The panels are a testament to Donatello's unparalleled skill and his enduring influence on the art world. The Church of San Lorenzo, located in Florence, Italy, is a must-visit destination for anyone interested in the rich artistic heritage of the region. The pulpits, with their stunning bas-reliefs, are a highlight of the basilica and a reminder of the genius of Donatello and his students.
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