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The Return of the Pilgrimage, 1881

The Return of the Pilgrimage, 1881


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The Return of the Pilgrimage, 1881

The Return of the Pilgrimage, 1881. Published in L Egypt by Gaston Maspero, 1881

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Media ID 14872758

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Camel Camels Convoy Crowded Desert Gaston Gaston Camille Charles Maspero Gaston Maspero Hand Journey Kissing Maspero On The Move Palm Tree Pilgrimage Returning Sir Gaston Camille Charles Maspero Welcoming Welcoming Party Metaphor Print Collector3 Traditional Dress


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> Africa > Egypt > Related Images

> Animals > Mammals > Camel

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings


The Return of the Pilgrimage, 1881

EDITORS COMMENTS
is a captivating print that takes us back to the 19th century. This mesmerizing image captures a crowded convoy of pilgrims making their way through the vast desert landscape of Egypt. The traditional costumes worn by both men and animals add an air of authenticity to this scene. In the foreground, we see a group of riders on camels and donkeys, returning from their religious journey. Their faces are filled with joy as they approach a welcoming party waiting for them outside the village. A man can be seen leaning down from his camel, reaching out his hand towards someone in greeting or perhaps even sharing a kiss as an expression of happiness. The composition beautifully incorporates elements of nature, with palm trees dotting the horizon and adding depth to the image. The engraving technique used in this artwork adds texture and detail to every line, enhancing its overall appeal. This print not only showcases a significant moment in history but also serves as a metaphor for human connection and spiritual fulfillment found through pilgrimage. It transports us back in time, allowing us to witness firsthand the devotion and excitement felt by these travelers upon their return home. Created by an unknown artist but published by Gaston Maspero in 1881, "The Return of the Pilgrimage" remains an enduring testament to cultural traditions and journeys that transcend time itself.

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