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The Prince of Wales at York House, London, 1792
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The Prince of Wales at York House, London, 1792
The Prince of Wales at York House, London, 1792. The visit to Piccadilly, or a Prussian reception, representing Shon-ap-Morgan, Shentleman of Wales, introducing his old nanny goat into high company. The Prince of Wales leading a goat with the head of Mrs Fitzherbert to the door of York House
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Media ID 15177222
© London Metropolitan Archives (City of London) / Heritage-Images
Fitzherbert George Iv George Iv Of The United Kingdom Gillray Goat Goats James Gillray King George Iv King Of Great Britain Maria Anne Maria Anne Fitzherbert Mistress Mrs Fitzherbert Prince Of Wales Prince Regent Prinnie Prinny Wife York House Country House Headgear
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The Prince of Wales at York House, London, 1792 - A Whimsical Encounter with High Society
EDITORS COMMENTS
. This print captures a momentous event in the life of the Prince of Wales, George IV. In this satirical caricature titled "The Prince of Wales at York House, London, 1792" we witness a comical scene unfold before our eyes. The image portrays an eccentric gathering at Piccadilly where Shon-ap-Morgan, also known as the "Shentleman of Wales" introduces his beloved nanny goat to high society. The mischievous prince himself leads the goat by a leash while wearing an amusing headdress resembling Mrs Fitzherbert's head. York House stands tall in the background, serving as the backdrop for this lighthearted affair. This stately country house witnessed countless significant events throughout history and now bears witness to this whimsical encounter. James Gillray's masterful etching expertly captures both satire and charm in this delightful piece. Through clever visual storytelling, Gillray playfully pokes fun at societal norms and traditions prevalent during that era. As we gaze upon this monochrome masterpiece from Guildhall Library and Art Gallery's collection, we are transported back to 18th-century England. We catch a glimpse into the complex world of royalty through humor and imagination. This print serves as a testament to British wit and artistic brilliance while reminding us that even those born into privilege can find joy in unconventional ways.
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