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Un nouvel Almaviva.. 1851. Creator: Honore Daumier

Un nouvel Almaviva.. 1851. Creator: Honore Daumier


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Un nouvel Almaviva.. 1851. Creator: Honore Daumier

Un nouvel Almaviva.. 1851. Un nouvel Almaviva venant essayer de seduire Rosine - Veron en lui donnant une serenade sur l'air de Vive Henri V. (A new Almaviva trying to seduce Rosine [wearing hat inscribed Constit...'] - Veron serenading her to the tune of Long Live Henri V). Caricature of Louis-Desire Veron. Series: Actualites; Periodical: Le Charivari, 21 May 1851

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Media ID 36353598

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Balconies Balcony Blind Blinds Character Constitution Daumier Honore Daumier Honore Victorin Funny H Daumier Honore Daumier Honore Victorin Daumier Le Charivari Lithographic Mandolin Overweight Serenade Serenading Silly Stringed Instrument Sun Blind Vocalist Almaviva Constitutional Lithotint Parody Playing An Instrument Satirical The Barber Of Seville


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Un nouvel Almaviva.. 1851

EDITORS COMMENTS
is a captivating lithograph by the renowned French artist Honore Daumier, published in the satirical weekly magazine "Le Charivari" on May 21, 1851. This intriguing image depicts a new interpretation of the character Almaviva from Rossini's opera "The Barber of Seville," attempting to serenade Rosine on a balcony. However, this is not your typical Almaviva. The man in the caricature is identified as Louis-Desire Veron, a well-known figure in France during the 19th century. Veron is portrayed as an overweight man, wearing a hat inscribed with "Constit..." (Constitution), indicating his involvement in political matters. The architectural setting of the image is equally intriguing, with intricate balconies and blinds adorning the facade of the building. The artistic use of black and white tones adds depth and contrast, making the image all the more engaging. Daumier's masterful use of humor and parody is evident in the way he depicts Veron playing the mandolin, an instrument that is out of tune and seemingly out of place in the hands of this larger-than-life character. The title of the piece, "Un nouvel Almaviva," suggests a new take on the classic opera character, and the addition of Veron's identity adds an extra layer of meaning to the image. Overall, "Un nouvel Almaviva.. 1851" is a fascinating glimpse into the political and artistic climate of 19th-century France, and a testament to Daumier's skill as a caricaturist and social commentator. This lithograph is part of the "Actualites" series from "Le Charivari," and is currently housed in the Los Angeles County Museum of Art (LACMA) as part of their extensive collection of heritage art. It is a valuable addition to any collection of 19th-century art, and a must-see for anyone interested in the history of French art and culture.

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