Modes Pour Rire by Charles Vernier
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Modes Pour Rire by Charles Vernier
Modes Pour Rire by Charles Vernier -- A woman (left) asks her ladys maid (right) whether the crinoline she has brought will be full enough. She doesn t want to be ridiculed for being too flat.
circa 1850
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14375700
© Mary Evans Picture Library
1850s Crinoline Crinolines Dressing Huge Maid Maids Mirror Modes Pour Rire Satire Satirical Servant Servants Vernier Wide Skirt
Modes Pour Rire
EDITORS COMMENTS
by Charles Vernier: A Humorous Take on Fashion and the Pressure to Conform in the 1850s This charming print by Charles Vernier, titled "Modes Pour Rire" (Laughing Modes), captures the essence of the fashionable world of the 1850s with a touch of satire and humor. The image depicts a woman (left) inquiring of her maid (right) about the fullness of the crinoline she has brought for her to wear. The woman's concern is evident on her face as she looks anxiously at her reflection in the mirror, fearing the possibility of being ridiculed for having an insufficiently full skirt. The crinoline, a large hoop skirt popular during the mid-19th century, was a symbol of femininity and elegance. However, it also presented a challenge for women who wanted to adhere to the fashionable standard without breaking the bank. The maid, with a knowing smile, holds up the crinoline, which appears to be quite modest in size compared to the exaggerated version in the mirror behind the woman. The print is a clever commentary on the pressure women faced to conform to fashion trends, often at great expense. The satirical tone is further emphasized by the cartoonish depiction of the woman's reflection in the mirror, which exaggerates her features and emphasizes her concern. The print also highlights the role of servants in the fashion world, as they were often responsible for procuring and maintaining their employers' wardrobes. Overall, "Modes Pour Rire" is a delightful snapshot of the fashionable world of the 1850s, offering a humorous perspective on the pressures and expectations women faced to keep up with the latest trends. The print is a testament to the enduring power of satire and the ability of art to capture the complexities of human experience.
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