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German Renaissance ornament in stone and wood, (1898). Creator: Unknown
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German Renaissance ornament in stone and wood, (1898). Creator: Unknown
German Renaissance ornament in stone and wood, (1898). Fig 1: Herma from the tombs of Wurttembergian princes in the choir of the " Stiftskirche" at Stuttgart. Fig 2: Panel on the pillar of a bar in the great hall of the town-house at Nuremberg. Fig 3: Intrado on a door in the " Otto-Heinrichs-Bau" of Heidelberg Castle. Fig 4: Dado at a tomb of the " Schenken" at Limpurg in the choir of the principal church at Gaildorf. Figs 5-10: Wood carved panels and friezes from a hall ceiling in the castle at Jever. Plate 77 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19780365
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B T Batsford Bamp W Batsford Bt Batsford Dolmetsch Foliage H Dolmetsch Heidelberg Castle Heinrich Heinrich Dolmetsch Herm Historic Styles Of Ornament Max Seeger Ornate Relief Seeger Stylised Fortifications Mausoleum
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EDITORS COMMENTS
This print showcases the exquisite German Renaissance ornament in stone and wood, dating back to 1898. The creator of these remarkable pieces remains unknown, adding an air of mystery to their beauty. The print features various elements from different locations across Germany, each representing a unique aspect of this artistic period. Fig 1 displays a Herma from the tombs of Wurttembergian princes in the choir of the "Stiftskirche" at Stuttgart, while Fig 2 presents a panel on the pillar of a bar in the great hall of the town-house at Nuremberg. Fig 3 exhibits an intricate Intrado on a door in the "Otto-Heinrichs-Bau" of Heidelberg Castle, while Fig 4 showcases a striking Dado at a tomb belonging to the "Schenken" family within Gaildorf's principal church choir. Figs 5-10 highlight wood-carved panels and friezes found within Jever Castle's hall ceiling. Plate 77 is extracted from "The Historic Styles of Ornament" translated by H. Dolmetsch from its original German version. Published by B. T. Batford in London during 1898, this book offers valuable insights into diverse ornamental styles throughout history. This photograph captures not only stunning craftsmanship but also provides glimpses into religious symbolism, burial customs, and fortifications prevalent during that era. It serves as both an educational resource for art enthusiasts and an aesthetic delight for those appreciating intricate design work fused with historical significance.
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