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Jean-Baptiste Bienvenu-Martin (1847-1943) separating the State from the Church
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Jean-Baptiste Bienvenu-Martin (1847-1943) separating the State from the Church
CHT265599 Jean-Baptiste Bienvenu-Martin (1847-1943) separating the State from the Church, caricature from Le Rire magazine 20th May 1905 (colour litho) by Leandre, Charles (1862-1934); Private Collection; (add.info.: J.B. Bienvenu-Marton separant l Eglise de l Etat; French law voted on 9th December 1904; Bienvenu-Martin was Minister of Public Instruction; Ministre de l Instruction Publique, des Beaux-arts et des Cultes 1905-06; Aristide Briand (1862-1932); ); eArchives Charmet; French, out of copyright
Media ID 22661528
© Archives Charmet / Bridgeman Images
Cleric Division French Republic Laicite Marianne Policy Republican Secularism Senator Separation Monks Religious Orders
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EDITORS COMMENTS
The print captures a significant moment in French history, depicting Jean-Baptiste Bienvenu-Martin separating the State from the Church. This caricature, originally published in Le Rire magazine on 20th May 1905, showcases the colorful and satirical artwork of Charles Leandre. Bienvenu-Martin was a prominent figure during this time, serving as the Minister of Public Instruction in France. The image represents his role in implementing the French law voted on 9th December 1904 that aimed to separate church and state. In this cartoonish portrayal, he is shown physically dividing the Church from the State with a pair of giant scissors. This political move towards secularism was highly controversial at the time and sparked intense debates across France. The image symbolizes an important shift in French society towards greater separation between religious institutions and government affairs. The presence of other key figures like Aristide Briand further emphasizes their involvement in promoting this policy change. Marianne, a national symbol representing liberty and reason, stands beside them as they challenge traditional power structures associated with religion. Overall, this print serves as both a historical document and artistic expression of an era marked by political division over matters of faith and governance.
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