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Suzanne et les vieillards (Susanna and the Elders). Peinture de Charles de La Fosse (1636-1716), apres 1700. Huile sur toile. Art Baroque. Musee des Beaux Arts, Pouchkine, Moscou

Suzanne et les vieillards (Susanna and the Elders). Peinture de Charles de La Fosse (1636-1716), apres 1700. Huile sur toile. Art Baroque. Musee des Beaux Arts, Pouchkine, Moscou


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Suzanne et les vieillards (Susanna and the Elders). Peinture de Charles de La Fosse (1636-1716), apres 1700. Huile sur toile. Art Baroque. Musee des Beaux Arts, Pouchkine, Moscou

FIA5326364 Suzanne et les vieillards (Susanna and the Elders). Peinture de Charles de La Fosse (1636-1716), apres 1700. Huile sur toile. Art Baroque. Musee des Beaux Arts, Pouchkine, Moscou by Fosse, Charles de la (1636-1716); Pushkin Museum, Moscow, Russia; Photo © Fine Art Images

Media ID 24677436

© Fine Art Images / Bridgeman Images

Chest Naked Woman Old Age Voyeurism


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EDITORS COMMENTS
This print showcases Charles de La Fosse's masterpiece, "Suzanne et les vieillards (Susanna and the Elders)" painted after 1700 during the Baroque period. The oil on canvas painting is housed in the renowned Pushkin Museum of Fine Arts in Moscow, Russia. The artwork depicts a scene from the biblical story of Susanna and the elders. In this composition, an elderly man with a walking stick stands beside another older man while they observe Suzanne, a young woman who appears vulnerable and exposed. Her nakedness symbolizes her innocence and purity. The use of vibrant colors adds depth to the painting, drawing attention to Suzanne's youthful beauty contrasted against the aged figures surrounding her. A small dog at her feet further emphasizes her vulnerability as it represents loyalty and protection. La Fosse skillfully captures various emotions within this piece - fear can be seen in Suzanne's eyes as she realizes she is being watched by these voyeuristic elders. The tension between youth and old age is palpable throughout the composition. This artwork not only exemplifies La Fosse's mastery of technique but also highlights his ability to convey complex narratives through visual storytelling. It serves as a testament to both French Baroque artistry and religious themes prevalent during that era.

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