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Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, c

Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, c


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Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, c

XBP335698 Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, c.1636 (oil on canvas) by Rubens, Peter Paul (1577-1640); 26.5x41.5 cm; Prado, Madrid, Spain; (add.info.: last survivors of the Deluge; ); Photo eBoltin Picture Library; Flemish, out of copyright

Media ID 12853548

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Creation Myth Flood Growing Metamorphoses Metamorphosis Ovid


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EDITORS COMMENTS
This print captures the essence of Rubens' masterpiece, "Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them". Painted in 1636, this oil on canvas artwork depicts the last survivors of the Deluge as they embark on a monumental task - repopulating the world. In this scene, Deucalion and Pyrrha stand at the forefront, surrounded by a barren landscape. With determination etched upon their faces, they hurl stones behind them. These stones are not mere projectiles but symbols of hope and creation. As each stone hits the ground, it transforms into a human being – children who will grow to rebuild civilization. The composition is rich with symbolism. The temple in the background represents rebirth and renewal after destruction. The figures are depicted nude, emphasizing their vulnerability as well as their connection to nature's raw power. Rubens masterfully captures both strength and tenderness in his brushstrokes. His use of color adds depth to every element within the painting, from the vibrant hues of nature to the subtle tones that define each figure's musculature. This print allows us to appreciate Rubens' genius up close while also marveling at his ability to convey such profound themes through art. It serves as a reminder that even amidst chaos and devastation, humanity has an innate capacity for resilience and regeneration.

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