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"Representation de la rencontre du roi wisigoth Wamba (672-680 apres JC) et de saint Gilles l ermite (ou Aegidius) (7eme siecle), blesse par la fleche d un chasseur

'Representation de la rencontre du roi wisigoth Wamba (672-680 apres JC) et de saint Gilles l ermite (ou Aegidius) (7eme siecle), blesse par la fleche d un chasseur


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"Representation de la rencontre du roi wisigoth Wamba (672-680 apres JC) et de saint Gilles l ermite (ou Aegidius) (7eme siecle), blesse par la fleche d un chasseur

FIA5370871 " Representation de la rencontre du roi wisigoth Wamba (672-680 apres JC) et de saint Gilles l ermite (ou Aegidius) (7eme siecle), blesse par la fleche d un chasseur, avec sa biche" (Saint Giles and King Wamba at the royal hunt) Detrempe sur bois de l ecole allemande. 1470-1480 Musee Pouchkine, Moscou by German School, (15th century); Pushkin Museum, Moscow, Russia; Photo © Fine Art Images

Media ID 24742390

© Fine Art Images / Bridgeman Images

7 7th Vii Viith Century Aureola Barbarian Fawn Orders Santo Visigoth


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> Arts > Art Movements > Landscapes

> Arts > Art Movements > Medieval Art

> Arts > Landscape paintings > Landscape art

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Realistic drawings > Landscape paintings > Fine art

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> Europe > Germany > Posters

> Europe > Germany > Related Images

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> Europe > Russia > Paintings

> Fine Art Finder > Artists > German School

> Fine Art Finder > Artists > Melchior Feselen


EDITORS COMMENTS
This print titled "Representation de la rencontre du roi wisigoth Wamba et de saint Gilles l ermite" transports us back to the 7th century, immersing us in a medieval world of kings and saints. The artwork depicts the fateful encounter between King Wamba, ruler of the Visigoths from 672 to 680 AD, and Saint Giles the Hermit (also known as Aegidius). In this scene, we witness Saint Giles wounded by an arrow shot by a hunter during a royal hunt. The painting beautifully captures the intensity of the moment, with vibrant colors bringing life to every detail. The German School's mastery shines through in their use of detrempe on wood. The composition not only showcases these historical figures but also incorporates elements that reflect religious symbolism and natural beauty. We see an aureola surrounding Saint Giles, emphasizing his status as a holy figure. Meanwhile, a graceful fawn stands beside him – perhaps representing innocence or divine intervention. As we explore this artwork further, our gaze is drawn to the stunning landscape that serves as its backdrop. It sets the stage for this dramatic encounter while reminding us of both man's dominion over nature and our interconnectedness with it. Overall, this piece offers a glimpse into medieval artistry and invites contemplation on themes such as power dynamics, spirituality, and humanity's relationship with nature.

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