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Pierre Camcioglu (b. 1727) and his son, 1787 (oil on canvas)
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Pierre Camcioglu (b. 1727) and his son, 1787 (oil on canvas)
CHT231056 Pierre Camcioglu (b.1727) and his son, 1787 (oil on canvas) by Duchateau, Jean-Francois (fl.1787); Private Collection; (add.info.: fils de J.Iamuglu, premier interprete et secretaire de sa Majeste le Roi de Suede; Camcioglu was born in to an Armenian family that served the Legation of Sweden throughout the 18th century; by portraying himself with his young son Camcioglu indicates the function of dragoman as hereditary; in 1757 Camcioglu bought the present Swedish Palace in Constantinople on behalf of Gustaf Celsing, Swedish Ambassador 1747-70; ); eArchives Charmet; French, out of copyright
Media ID 23209610
© Archives Charmet / Bridgeman Images
Diplomacy Dragoman Interpreter Ottoman Translator
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EDITORS COMMENTS
The captivating oil on canvas painting titled "Pierre Camcioglu (b. 1727) and his son, 1787" by Jean-Francois Duchateau offers a glimpse into the world of diplomacy and heritage. The portrait showcases Pierre Camcioglu, a prominent figure in diplomatic history, alongside his young son. Camcioglu was born into an Armenian family that served the Legation of Sweden during the 18th century. As the first interpreter and secretary to His Majesty the King of Sweden, he held a significant position as a dragoman - an interpreter or translator - within Ottoman society. By including his son in this portrait, Camcioglu symbolically emphasizes the hereditary nature of his role as a dragoman. It highlights how skills and responsibilities were passed down through generations within this esteemed profession. Notably, in 1757, Camcioglu played a crucial role in acquiring the Swedish Palace in Constantinople for Gustaf Celsing, who served as Swedish Ambassador from 1747 to 1770. This acquisition further solidified Camcioglu's importance and influence within diplomatic circles. Duchateau's masterful brushstrokes capture both the elegance and authority exuded by Pierre Camcioglu. The intricate details bring forth an appreciation for Turkish culture while also shedding light on historical connections between nations during this period. This remarkable painting serves as a testament to Pierre Camcioglu's contributions to diplomacy and provides us with valuable insights into
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